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RVCC 2021 Portfolio development Exhibition

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ESCAPISM

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ABOUT THe exhibition

When all participating artists pitched various themes for this exhibition, “Escapism” immediately stood out. It was implicitly evident that we each developed our own unique ways to escape from reality, seeking a temporary relief throughout the ongoing global pandemic. This exhibition is a result of each artist questioning their definition of “Escapism”, hoping to provide a fascinating look into our peculiar human psychology.

 

For many, our home is a primary locale of escapism. We can relate easily to Luis Natal’s “Trapped Inside”. Intense colors from outside seeping into our gray home appears both seductive and dangerous, illustrating our conflicting desire to venture outside during the pandemic. Alicia Novoa turns her focus towards interior. Idea of comfort and relaxation is expressed through a figure imbibing in harmonious interior textile design in her digital “Patchwork”. Yet such comfort’s fragility is demonstrated in “Habitat of Distraction” by June Varkoly. This miniature paper model of a family huddled around a living room TV was left outside in rain overnight, slowly washing away colors of the wall, TV, carpet, and people. Contrary to Varkoly’s skeptical view of ephemeral escape offered through media, Melanie Woj’s “Listen Closely” displays a complete embrace of media and popular culture. In this self portrait, the artist appears to be living inside an alternative world of endless playlist of her favorite songs. Similarly, Chuck Tighe embraces a world of cinema. In “One-Way Mirror”, the central director’s hands present us an irresistible escape into the expansive seductive world of actors and actresses.

 

Instead of searching outward, other artists prefer to search inward for an answer, starting from their own body and mind. In Max McFadden’s “Calyx”, we find a cocooned figure floating, perhaps in amniotic fluid, while the figure’s eyeball is nervously searching. “Suffocating” by Alex Czirok presents a darker side of escapism, revealing a state of desperation through his figure’s distortion and exaggerated body gasping for air. In addition, mortality and death is a haunting theme when considering our fragile body. In “Forced Escapism”, Sarah Switlyk visualizes a complex entanglement of comatose patients’ subconsciousness, while Lily Zorechak’s “Hidden Reality” seems to reveal repressed pain of loss that we collectively will carry on well after the current pandemic is over.

 

Needless to say, our powerful imagination becomes a great vehicle to escape into a fantastical world. Mike Rego’s “Escapism” shows a teenager stepping out from his dull brown bedroom into a colorful world of magical characters. If Rego offers an exciting world of joyous adventure, Justine MacKinnon’s “Freedom” is a world of vicious cruelty. Chaotic ensembles of fantastical characters are chasing to eat or being eaten by others, each interaction causing a ripple effect throughout the chain. Fantasy may also take us to an alternative mysterious world. “She’s Leaving” by Emelia Detorres takes place in fictional outer space where the heroine embarks on her faithful journey. For Alli Maher, such journey may spiral through a dizzying hallucinogenic wormhole, perhaps accompanied by aliens, as seen in hypnotically patterned “Twisted Reality”.

 

Coming back from this journey, Ana Carolina Mitchell’s “Escape” reminds us of our current everyday lives. Taking on a humorous approach, Mitchell appears to pinpoint our desire to escape from endless computer work exacerbated by the pandemic. And as this journey winds down, Tamara Jones’ “Road Less Traveled By” calls attention to series of choices we must each make during our own journey, where a future path of bright colors lies ahead, where we will each fill ourselves with unique colors.

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Ji Yong Kim

Instructor, Foundation & Painting

Arts & Design

Raritan Valley Community College

artists

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